I love that 6(7) draw combo in 3rd position. Is it alright to do that on the V in 2 position? I know the 6 is kosher but I haven't heard the (7) in with it in 2nd.
Hi,
I'm currently going through Walk with Me 1st lesson and I'm unclear about using the tongue with a shake? I find it much more comfortable to keep the tongue off the harp or is there a technique that I'm missing using the tongue while playing a shake?
I noticed that the special 20 harmonics I bought are not A 440 tuned?
I use 440 for guitar and fiddle and so does everyone I jam with. Are these harmonicas tuned A 443 or around there?
Hi David...I have a question regarding slaps (and pulls to a lesser extent).
Sometimes when listening to a song, the slaps are very subtle and sometimes can hardly be discerned. So, when I am learning a piece, if I am listening, and learning by ear, I may not include a slap (or even a pull), because it is not obvious, until I look at the PDF.
So, I guess my question is, when and where specifically would one use a slap or a pull? Should I slap notes (almost) all the time, or are there specific instances where a slap should be used? continue reading...
I'm working through William Clarke's version of The Work Song on chromatic from one of your transcription books. I noticed that things like 7+/2+ and 9/4 "octaves" are occasionally notated. Why would one do these 4 hole blocked ocataves? I know 2 holes blocked creates that dissonant fake octave, but what's the purpose of the giant ones?
In one of the latest news vids you talk about what is comming up in the { Accompaniment 's lesson's } and you mentioned and played a Hook . It was called { Low hanging fruit } it was in Accompaniment 8 ? tried to find it .it . Like that { Lick } : )
Regarding the accompaniment study part, when you say to record Example 1.12 to Jam track, do you mean over the whole song or only a few choruses (i.e. 2-3)?