A friend picked up an old Hohner Echo for me at an antique sale.
Although it's a bit rough with obvious dirt and rust on the cover plates which are slightly up on both ends I find it very intriguing and will apply some of my learned harp tech skills to it.
My question is , what do I have?
key of G Echo Hohner, with a half moon type shape at the whole side.
I'm having problems when I re-assemble my thunderbird after cleaning/gapping. The 2 blow reed gets stuck. Have you seen this before? I've never has this problem with my Crossovers. Anything different about lining up the comb and reedplates I should know about. Any advice would be greatly appreciated!
Mate, i just wanted to get the oil from you on some stories im seeing floating about on the web and of course they make their way through the social media.
this goes back to the labelling of the sp20 as 'progressive' and some problems with setup which occurred at the same time. a lot of people began telling stories that the sp20 was not the same harp it previously was, and gradually more and more folk began to attribute this to 'outsourcing to china'.
First up let me say how much I enjoy your instruction videos. Not sure if this question is for you or Winslow.
Bending with my C harp I am able to easily (relative to my A harp) bend all draw notes fully. I have noticed that my 4draw, Db pitch is playing sharp, not going deep enough (no such issue with my A harp so assume not player error) Question, is this a gap issue or a tuning issue. All other draw notes including 3, down 3 half steps to Ab, are playing nicely. This is confirmed on Harp Ninja. continue reading...
I got myself a new Suzuki Manji LC some time ago. I'm quite happy with the warm tone, the fast response and nice bending qualities of the harp BUT the holes 3 & 4 Draw sound quite muted / muffled and much quieter than the other holes. I cleaned the harp already, tried different breathing techniques, lip pursing and tongue blocking - all without much effect. What else can I do ?