Posted Sun, 02/21/2016 - 20:55 by baruch.friedman...
Dave I understand the slap technique/concept for blowing, but for drawing, does the the chord come first, and then the tongue block for a single note, or do you single note block first and then lift off to produce the chord, in a drawing maneuver.
Also for the lift it appears the sequence you are looking for is to start with a blow or draw chord chord, then slap the single note, then lift off the harmonica ending always in a draw chord for the lift. Is that correct?
When cutting notes, how deep should I cut? I'm looking at "Walter's Mood", Chorus 2 (bar 5). Of course, when doing a 4 or 5 cut, I'll just drop to the floor. In this case, it's a 3' cut. It makes sense to me to cut down from 3' to 3".
Is there a rule for this? Cutting a half step down seems like a good overall policy.
In a lot of your study song (and in other places) you talk about how to play a song with a band. Often you'll say, from the V, or all in on the I. I've come to understand that this refers to the cord section of the 12 bar blues (or really whatever progression the song is in). continue reading...
i finally found 2 local harp players interested in performing this song with me. I can't locate the lessons on the site anymore but I'm sure you had the PDF and scratch tracks somewhere. Can you help me find that on the site?
Dave.. Where do I go on the site to access jam tracks for beginners..I was looking for 12 Bar Blues tracks in particular. Is there a master page that lists all of them. Thanks.
In Performance Training 1, you go through some of the common ways to start a song. The examples used are very cliched approaches, harmonica lines that are so familiar that the band should be able to easily feel the rhythm and changes.
If I am playing a song that may be unfamiliar to the band, should I avoid that type of opening altogether? Should I just call for "All In from the I" and count it in? continue reading...