I'm currently studying L.O.A.6 and in particular the Solo Harmonica Ex 2.3 Rhumba beat.
Bar 6 has a number of octaves played and I would like to ask the best way to play these. I've played them as an individual slap which at speed (my speed anyway!) sounds quite staccato and doesn't sound in keeping with the rhythm. When listening to you it sounds like you smooth them together a bit more so would it be ok to keep the octave emboucher but slide from one to the other?
In this study we are using an A Harp and the musical notes on the scale on ex 1.1 measure 1 are A, Ab, A measure 3 D, Db, D, etc. My question is if I am using an A harp and I draw hole 6 for measure one - that would be an F# note on the harp. In measure 3 if I draw hole 4 the note would be a B, yet the musical note shown is D. What am I missing?
I was wondering, while I was playing my major scale to practice my tongue blocking , I had difficulty not blowing in the next hole to the right of the one I was blowing in. For exemple, the blade of my tongue covered 1,2 and 3 while I was aiming in 4 but then the fifth was making sound too. So I had the Idea of blocking it with my right thumb which works like a charm. Would it be a bad habit if I kept using it ? I couldn't find anything about it on the web so that's why I'm asking. continue reading...
You often recommend that money is well spent on a vintage mic with a good element. Do you have a recommendation of where best to buy one? I'm wary of ebay without knowing who the seller is, and I'm sure Dennis Gruenling's stuff is awesome, but it's pricey. Is there a trusted source that sells online?
I am 4 weeks into your course and working on lesson one. I am eager to start bending. Would it be okay to work lesson one and the bending lessons simultaneoulsy?