When testing amps with knobs for both volume and gain, is there a reliable rule of thumb for where to set them in order to get closer to the blues harp sound we want? I was playing through a few in a music store today, and it seemed like high gain, low volume was most reliable, but I'm not sure why that was the case or if it is a consistent pattern.
David, i have a "performance questio...i have about 5 songs I am currently working on. A couple of big Walter tunes & "my blues"...which has become my favorite.
im also working on 3-4 improv licks using some scale sequencing & lick ex. You have applying the chorus forms.
my question is, how do you effectively play licks for an "audience" ie: patio, pool, etc....when not using a backing track?...the chugs (Gussow) (Tomlin) just don't come off as well acoustically.... continue reading...
Posted Mon, 09/11/2017 - 19:33 by jaykgriffin@gma...
Hi David,
In the fourth chorus of "Walk with Me," what does the squiggle between draw 3 and draw 4 mean (first two notes, then repeated again later)? I couldn't find it in your notation key.
Posted Mon, 09/04/2017 - 16:58 by baruch.friedman...
Dave in exploring holes 1 & 2 with the 7ths , in example 2.2 playing hole #1 in the 12 bar blues - shouldnt it start with a 1 draw for the first cord (note D) instead of what is listed as a 2 draw (note G) which would be for hole # 2?
Hello David, after passing level 4 I picked up,a low f and have been working through the Sonny's Bird song. I really like the sound of the low key. I also really enjoy Dennis Gruenlings use of low keyed harps. If I was to pick up another low keyed harp which one do think I would get the most use from?
As I begin to work on my skills at playing amplified, I'm thinking that it might be wise to get an amp and mic combo that I know works fairly well for harp... that way if it sounds like crap I know it is my fault and my technique needs work! I figure I'll get a bullitini, but I'm wondering if folks have suggestions for a safe bet amp that isn't too expensive. I'm not sure I'm ready to pay for a Memphis Mini, and I don't trust myself enough yet to evaluate old amps. Maybe the 5-watt Fender Champ (which is the vibro xd, correct?)?
I started working on Joe Filisko's train imitation study 1. I practice the patterns with a metronome in 3rd gear, and whenever I can do it for 5 min. at a certain speed without "tripping up" I will take it up a notch. It will take me several months to get this up to speed, which I don't mind. But I was wondering if there are other / better ways to practice this?