Skip to main content
Blues Harmonica logo

User Account

Username:*
Password:*
Forgot Your Password?

Visitor Menu

  • Sign Up
  • Sample Lesson #1
  • Sample Lesson #2
  • Student Recordings
  • Forums

Ask Instructor David Barrett

Ask head instructor David Barrett questions regarding your lessons at BluesHarmonica.com

slowdowner

Posted Tue, 06/30/2015 - 07:48 by slucey
slucey's picture

Hello Dave,

Is Slowdowner still the best choice for a PC windows?

i lost my last version as i have a new computer.

 

Thank you

  • 1 comment

Chromatic lessons

Posted Tue, 06/30/2015 - 06:21 by slucey
slucey's picture

Dave, Do you have a book that includes the study download material on the Chromatic series?

Just nicer to have it all bound in a book.

Also and comments on learning to articulate the notes on this harmonica...all the same as diatonic?

Its a mouthfull....

steve

  • 1 comment

Blues sound

Posted Sun, 06/28/2015 - 13:31 by Lars39
Lars39's picture

Just starting out and love the "blues sound" the harmonica (player) can make, but I haved not yet made a single note or sound that resembles "blues" on my Special 20 harmonica.  Need to know the key technique(S) to at least making a blues chord or blues sound.  Is it tounge blocking?  Help!

  • 2 comments

Communicating with the soundman

Posted Sun, 06/28/2015 - 10:12 by crazymilk
crazymilk's picture

Hey David, continue reading...

  • 2 comments

LOA 5 - Scales

Posted Sat, 06/27/2015 - 06:17 by crazymilk
crazymilk's picture

Hey David,

I'm currently working on the G Major pentatonic scale, I increase the speed and incorporate some jason ricci's scale excersizes.

 

- should I also study in parallel the C Major Pentatonic and D Major pentatonic and wait for LOA 6 to study the blues scale in all the chord changes? or just stick to the G major pentatonic for now?

 

- I am finding it weird to try to play the G major pentatonic on top of jam tracks, are there any recommended ones for trying that so I can try to improvise and stuff :D 

 

Thanks

  • 2 comments

In tune?

Posted Thu, 06/25/2015 - 14:15 by Mark Vincent
Mark Vincent's picture

David,

 

When playing i often have a tuner in front of me to make sure i am hitting the bent notes correctly. My question is since some of the notes on the harp are tuned + or - a few cents when playing an unbent note what should i be shooting for? 

For example if the 2 draw is tuned 4+ cents, is the target on the turner when playing an A harp to hit the E 4 cents sharp or hit the E dead on?

Also, How are Chromatic's tuned? Just intonation? if so i would want to be dead on the note correct?

 

Thanks for your help!

Mark

  • 1 comment

Tips for vacation practice

Posted Wed, 06/24/2015 - 16:17 by Mark Vincent
Mark Vincent's picture

Good evening David,

I am going on a two week vacation to Sweden in a week and will not have internet access. I have some ideas for practice (Artist songs, Bending and Chromatic) but wanted to ask for your input. I am pretty much complete on LOA5 so aside from that what would you recommend? Looking for somthing outside the norm.

 

Thanks,

Mark

  • 1 comment

SB Williamson

Posted Sat, 06/20/2015 - 13:35 by jboyd562010@hot...
jboyd562010@hotmail.com's picture

i will bring forward my contact with you, your answers/questions, and my answers also:

From Jeff:

I just started listening to The Essential Sonny Boy Williamson on Rhapsody. Very distinctive!! At times he has notes that sound like a wa-wa, but just one wa. Do you know how he does that?! His tremolo is also amazing, Do you think that is all pharyngeal or does he move his harmonica for that effect. He has a nice vibrato at times when he sings.  

From Dave: continue reading...

  • 1 comment

LOA 4 Gary´s Blues 4th Chorus V7

Posted Sat, 06/20/2015 - 04:33 by Klaus
Klaus's picture

Hi David,

listening 4th Chorus V7 in Gayry´s Blues with amazing slowdowner I always hear 4 1 4 4´4+ 1+ instead of the notated 4 1 4 4´1+4+

am I wrong?

best regards

Klaus

  • 1 comment

Feelin' for the Blues - bending question

Posted Thu, 06/18/2015 - 05:54 by MichaelMc
MichaelMc's picture

David,

I've been working on the bending exercises for a few weeks now and can get consistent bends to varying degrees on holes 2-6.  As I try to bend the draw note all the way down (ex. on the 4 draw bend to the flat 5 in 2nd position) I start to get get a slirping sound in my mouth that affects the tone of the note.  It feels like I'm cutting off the air flow to the point that my tongue and cheek are almost touching, which creates the sound in my mouth. continue reading...

  • 2 comments
  • « first
  • ‹ previous
  • …
  • 252
  • 253
  • 254
  • 255
  • 256
  • 257
  • 258
  • 259
  • 260
  • …
  • next ›
  • last »

Sign me up!

Full access to all lessons starts at $20/month! (with annual subscription)

Subscribe

Free Sample Lessons

After watching the BluesHarmonica.com overview video, try one of the lessons below to experience a lesson at BluesHarmonica.com.

  • Tongue Blocking Study 2 – This study is for the newer player or the player new to tongue blocking
  • Bending Study 5 – This is for the advanced player looking to improve their bending skills

Contributors

  • Aki Kumar
  • Joe Tartaglia
  • Gary Smith
  • Mark Hummel
  • Joe Filisko

Site Links

  • About David Barrett
  • Accredited Instructors
  • Links
  • Terms and Conditions
  • Contact Us
Hohner
© 2009 - 2025 David Barrett and the Harmonica Masterclass Co. for Bluesharmonica.comSyndicate content