Couple of quick questions. I really like the idea of the student concert. The only thing is not being an actual student of yours I'm not participating in your student concert :(. What suggestions might you have about how to get some experience playing with a band and in front of other people. I know that my own skill set isn't large enough to try joining a band, but I'm really interested in trying it out in an environment where people understand that I'm a beginner/student and are there simply to support that role.
I have read the offerings on the forum with regard to do vibrato and I have played your lesson on vibrato many times.
My question is...Is doing a vibrato a matter of tuning your mouth, and while doing a tremelo (which I am fairly good at) and simulaniously doing a rapid serioes of relaxed glottal stops?
This seems doggedly difficult for me but I am quite stubborn. I am supposing that it is best to do this fairly slowly in the begging so as to train your throat.
I have read the offerings on the forum with regard to do vibrato and I have played your lesson on vibrato many times.
My question is...Is doing a vibrato a matter of tuning your mouth, and while doing a tremelo (which I am fairly good at) and simulaniously doing a rapid serioes of relaxed glottal stops?
This seems doggedly difficult for me but I am quite stubborn. I am supposing that it is best to do this fairly slowly in the begging so as to train your throat.
First of all, thank you for you lessons (and maybe sorry for my english)- they are awesome!
I have studied C Harmonica for couple of months by some webinars. But your lessons are so on another level! So thank you!
My problem: when I'm trying to play with tongue blocking and move harmonica quickly my tongue is usually staying on the same draw. Is that something I missing or this is just something that can be solved by more practicing?
Hello David, I am working on the c major scale and feel pretty good in all three oactaves. I am practicing with a metrenome at 102bpm. I would like clearer or better seperation or articulation in the lower octave. I can hit the bends correctly but would like clearer seperation between the bent and natural notes. Any suggestions?