David - looking ahead at test material required for Level 4 under Chorus Forms it says to take a lick and play along with the jam track to all 5 chorus forms. So are the 5 chorus forms AAA, AAA w/fills, AAB, AAB w/fills and ABAC? What about after AAA the 2 bar version and the 1 bar versions and the same on the AAB - then 2 bar version and the 1 bar version. Then all of that w/fills. That would make a whole bunch of chorus forms - Am I making this more difficulet than it is?
When you ask interviewees about chromatic influences, George Smith is almost always the first name that comes up, but William Clarke is never far behind. I don't have any of his stuff: is there an album of his that you would recommend starting with?
I'm dedicating some time to scale work, and I'm trying to think more thoroughly about the scales rather than just memorizing how to play them. So, by "blues scale," we mean R, b3, 4, b5, 5, b7, O, correct? On the "Movement Exercises: Essential Scales" document, the C Blues Scale (which is both the I chord blues scale in first position, and the IV chord blues scale in cross harp, correct?) omits the 5 and 6 holes, and in the accompanying video you say that the middle octave is void of any bluesy notes. continue reading...
Hi David. I was watching Sharon's lesson number 4, and you were teaching her the flutter. Is this a LOA 2 skill, or will it be presented at a later time?
Posted Sun, 06/10/2018 - 17:06 by gwknopp@gmail.com
Just a quick clarification
In Music Theory 3 we get into triads and chords
Im a bit fuzzy in what you mean by Scale Degree of the Chord (Page 4). Does that begin with the Root and move up through the 7th scale degree? So in key of C, C is Root, D is second scale degree of the chord?
This is impossible. While puckering I can nail all my blow bends quite easily, even on Eb harps (haven't tried high F). I jut push my tongue forward and rigid, and bam! But can barely move a note while tongue blocking.
In Accompanimwnt Study 2 (LOA 2), Long-Held Root Notes, you suggest to play " a nice vibrato" on each held note. Should I jump to that particular lesson to learn vibrato, or should I wait until it comes up later in due time?
Also in LOA 1 Solo Harmonica Study 1, Do we at some point revisit Section 2-Bass Lines? (I might have asked this already)