I made an observation in the lessons video's when you switch hands w/ harmonica and play with the right hand, I can see how your jaw is moving. But just by " Habit " you put back in the left hand and covers your jaw movement. It would be better if " We " B.H. Students could see your Jaw movement and how your doing it. in my opinion
i am working on the Strut and just one note eludes me.
For some reason I cannot get the 6 hole bend in chorus 6 measure 9. In fact that whole chorus is quite a challenge. When attempting the bend I can get it fine in a pucker embouchure but, fortunately, I have become almost exclusive TB player.
So switching just to get that note is most inconvenient. Although in attempting blow bends that's what I have to do. Any suggestions on this one problematic issue on the D harp? Lower keys for this note are not an issue.
Hi David, I cannot get HN to display the notes of the C Harmonica. What more must I select than choosing the key of the harmonica and the key I want to be displayed?
Posted Tue, 04/15/2014 - 03:45 by Intervaltraining
Good Morning David,
I have just started accompaniament study 3 and seem to having problems with exercise 2.3. Here goes.
Whilst staying on hole 2, as I understand it the one chord relates to 2 draw (G), the four chord relates to 2 blow (E), but when I get to the five chord in bars 9 and 12 what hole will I be playing and why (I am the sort of person who needs to understand the mechanics of why I'm doing something).
Whilst writing, once again many thanks for the comments on the level 2 test, they were most welcolme. continue reading...
I am finding the double notes on the start of the 5th chorus work ok if I hear the 3 draw of the song and dirty it with a 'grin' to add the 4 hole etc. But on the 6th chorus I am wondering if that is the same technique? Is it a dirty 3 or should I be doing a 4 holes mouth position and tongue blocking off 1 and 2 cleanly? (I am finding it difficult to do.) continue reading...
Good morning David. On the first bar of Feelin with the Blues, should my tremelo be "non-stop"? Or after my dip, do I stop the tremelo?
Same question applies in other places like Chorus 1, 6th bar. Do I continue the tremelo all the way through the bar or stop before the bend. Difficult to do the bend and tremelo at the same time. But if that's what I'm supposed to be working on, I'd like to know so I can. Thanks