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Ask Instructor David Barrett

Ask head instructor David Barrett questions regarding your lessons at BluesHarmonica.com

Accompaniament level 5

Posted Fri, 04/24/2015 - 12:14 by Intervaltraining
Intervaltraining's picture

Hi David,

This is a two part question :

  1. With regard to hole 9, in order to obtain the F sharp for the V chord you need to do a blow bend, but I dont know how to perform these yet. So for the V chord could I perform an 8 draw giving a D.
  2. On some of the holes you could perform transitions between some of the chords, is this a requirement or should I just keep it simple for know.

Thank you for your help,

Kind Regards,

Paul

 

  • 1 comment

F Harp note sustain

Posted Fri, 04/24/2015 - 06:16 by luckyharp
luckyharp's picture

Daivd,

3'' whole step bend on F harp, i cant play it at low volume, the aloud note is ok but if I decrease the air flow it stops playing.

Any suggestion ?

  • 1 comment

information

Posted Mon, 04/20/2015 - 11:59 by libardolugo@me.com
libardolugo@me.com's picture

Hey instructor,

I am writing to you because my english is not good enough to understand everything what you say on the videos, so I would like to have a bit of knowledge about how the classes works on this webside.

with what videos or documents should I start my classes?

  • 1 comment

Bending

Posted Sun, 04/19/2015 - 17:07 by Bones53
Bones53's picture

David .. I am just starting LOA 1 and have finished watching Bending Study 1 and it was immensely helpful. It was helpful in not only the explanation of the positions of the tongue and the 'shh', 'kee' and 'koo' sounds but when you actually produced the sounds on the 6 draw. Would it be possible to do the same study for each bendable hole...listening to you actually produce the desired sound helped me tremendously.  continue reading...

  • 1 comment

theory question

Posted Sat, 04/18/2015 - 20:15 by Josh_
Josh_'s picture

 In the accompaniment song LOA 3 there's a song called blues creepin' over me. If you look at the actual notes for the chord on the first measure, it is D,G,B on the G clef scale. but if you reference the Diatonic Harmonica note layout for an A harmonica, the draw holes are 3,2,and 1, which is B,E, and G#. From what I have studied in the past, a G note starts in the ring of the G clef. I am just using the 3 note chord as an example, but all of the notes in the song follow suit. continue reading...

  • 1 comment

"The day after"

Posted Fri, 04/17/2015 - 11:47 by luckyharp
luckyharp's picture

Yes the day after LOAL 9,now:

I decided to spend 1 month in reharsaling the repertoire, here is the tarcklist, explaining the choises:

1) One 2nd position 16th bars chorus form song ballad: I like the song and its light feel.

2) One 2nd position medium tempo shuffle 12 bars chorus form song that contains some fast runnings.

3) My blues, basic slow blues in 2nd position. continue reading...

  • 1 comment

Your Opinion - Honher - Bad to the bone harmonica

Posted Fri, 04/17/2015 - 11:14 by msudvm97
msudvm97's picture

I saw a you tube video from a 'Jake knows Harmonica.com '

He speaks  about the Honher Bad-to-the-bone-harmonica ....ever heard

of this...if so do you have an opinion on it ?

                      Thank you for your time

  • 2 comments

Honher Harmonica - your opinion - Crossover

Posted Fri, 04/17/2015 - 11:11 by msudvm97
msudvm97's picture

Hi David,

  Is your preferred harmonica the Crossover ? if so why ?

                     Thank you for your time

                                  Steve

  • 1 comment

On Purchasing a Stage Amp

Posted Thu, 04/16/2015 - 15:51 by marcgraci
marcgraci's picture

Hi, David:

When purchasing a stage amp, is it relevant to keep in mind that I may someday start singing on stage? Do vocalists use amps at all, or do they generally go through the house sound system? I mean: should I buy an amp that can fulfill multiple usages, or do I just want the best harp amp possible?

  • 1 comment

Chords in a minor blues

Posted Tue, 04/14/2015 - 08:38 by Stef
Stef's picture

Hi David! on a different note (big pun intended *laughs*) than my previous post, you often refer to the approach of a player towards a minor blues in your interviews, but for my understanding, what would be the chords typically used in a mior blues (in terms of roman numerals)? I tried to figure it out myself, but didn't quite succeeded. Thanks!

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