Breathing is challenging in Gary's Blues. I have followed your lessons about breathing, but often those techniques are not enough to make me confortably breath (I will post another question about that). When I have filled all my lower "stomach" space, I need to finish with some breast ("upper") inhaling. Then everything becomes tense, shoulders and throat...
Can breast-breathing be used as a last-chance "reserve"? and in that case, should I learn to stay relaxed even when doing it (seems hard)? continue reading...
Hello, David! I've been of BluesHarmonica.com for a bit, just after I achieved LoA4, but I never stopped playing. Although I was drawn to this site becuase of the LoA structure, I felt I had reached a point where I needed something a bit more free-flowing and less structured, especially since this is my only experience as a musician. I started my own journey and feel I have grown quite a bit in my improvisational ability during the last year. continue reading...
While working on The Strut and doing the 1 4 draw octave I'm noticing that it's possible (though difficult) to bend both draws, as well as get a crazy psychedelic intonation related beating if you bend one slightly out of tune with the other. Obviously, working on level four, there are tons of things I could prioritize practicing, but it was a fun distraction. Are these useful techniques moving forward that I might revisit and keep in my back pocket?
While working on The Strut and doing the 1 4 draw octave I'm noticing that it's possible (though difficult) to bend both draws, as well as get a crazy psychedelic intonation related beating if you bend one slightly out of tune with the other. Obviously, working on level four, there are tons of things I could prioritize practicing, but it was a fun distraction. Are these useful techniques moving forward that I might revisit and keep in my back pocket?
bonjour David est se que tu aurais des bon backing blues chicago et rein d'autre a me passer ou sur youtube ou que toi tu as pour improviser dessus ?? merci
Posted Sun, 02/06/2022 - 05:52 by adrian@peggmail...
Hi David,
I'm a total novice of less than a week with a harp.
I have some experience playing brass instruments in my youth, tenor horn & trombone, both of which rely on blowing only.
I am beginning to get used to the idea of drawing as well as blowing, but I am finding the speed of transition between the two (playing a triplet - blow, draw, draw - for example) quite difficult with any pace.
Transitioning from blow to draw feels very unnatural at the moment.
David, i am on i want you with me, i can play all the notes, but i cannot get through the song without the harmonica clogging up with spittle, which means i cannot complete the song in one go. i have tried to tip the harmonica backwards but i still get the same problem. Is there anything i can do, because it is really holding me back. have other students found this problem or is it that i produce too much splttle. if i can solve this problem my studies would take off. many thanks
David, I watched the video on brainstruments with great interest. Was wondering if you play to a mental model and what it is? Do you think anyone can devleop a model or is it an innate ability of some musicians?