6th chorus So Blue For You, bar 8 - mouth dry, chrom covers sticking to my lips so its hard to get the shake. I tried a lighter contact on the harp to see if that would help but then the tongue cover doesn't give me a true octave shake. When I try it on its own (out of context) and lick my lips first, it seems to work OK but back in context and by the time I get to that bar, I'm dry. (come to think of it, that's why we go into bars;-))
So is there any 'tip' or is this another case of "keep at it and it will come eventually"??
i have a mac.
i get them onto my desktop and can slide them into itunes but cannot synch them to my ipod.
i had the same issue for the first ones i did at the beginning of the year.
can somebody remind me?
hank? are you there? again?!?!
Hi David
I would like to say thanks for a great site,only been playing for 6 months found your site in May and have moved on so much.
My problem is what and how much to practice,I leave myself about 2 hours a day but find it hard to fit it all in.
Got through' Walk with me' have started 'Temperature'working on bending,Third position study 1,Solo harmonica study 2,had a look at Blues for Big Nate as well my tremolo needs a lot of work to.
Thanks again Ron
Posted Wed, 07/28/2010 - 21:07 by Anne Marie Jackson
Do I read your charts right about which notes are in the I, IV, and V chords and which notes are blue notes: it seems that A-flat is a blue note but it's not among the notes in the I7, IV7, and V7 chords. So when do you play it? How does it fit in?
A question about R.J. Mischo's playins starts in the closing section of your interview: the lick he plays starts with a bent 4 draw, but he's doing something to take the rough edge off it. The bent 4 draw sounds pretty harsh when I try to copy the lick (in fact, it sounds like a squealing brake on a bicycle) - is he glissing into it? I can tell there's another sound before the note, but I can't work out what it is - it definitely sounds more polished than the bent 4 draw by itself.
Just been reading the liner notes for IC Special - Filisko mentions something called the 'exhale push' on the track Jaybird Moan. Is that a harmonica technique or just a fancy term for breathing out? If it's breathing out, then that's great: it means finally I can do something that Joe Filisko can do!
Hi David,
What is your recommendation for practicing songs you already know to have a repertoire ready for jams etc... while also working on new songs and technique. How do you fit it into a practice routine?