Hey Dave...What do you think of some of the latest playing of Carlos del Junco? I think he is brilliant. I would say he is on the leading (bleading) edge. These four numbers were recently posted and I think endorsed by Carlos.
Posted Mon, 12/07/2015 - 19:11 by baruch.friedman...
Dave in Section 1 chording, example 1.13 there is a 2 draw, followed by another 2 draw with a curved line linking to another 2 draw. What does that curved line mean - Do you just hold the 2 draw note for a longer duration?
In section 2 - Bass lines Ex 1.1 Im not visualizing what you mean by a slap. Also regarding the pull - after the 2 draw you put your lips on 1&2 and then draw in the chord (21) or do you blow the chord (21)? Then when you do a 3 draw , are you now putting your lips on 3 notes to do a (321) chord?
Hi David, how do I get my playing to become more fluid, i'm going through the folk songs in the first couple of lessons, and I don't have that legato sound that you have in the vidoes. Any feedback would be great.
Posted Mon, 11/30/2015 - 17:57 by baruch.friedman...
Dave Im getting lost here. For example 1.1 your 1 draw you say is essentially equivalent to the fuller chord 321 draw in ex 1.2, but in example 1.3 your 1 draw is now equivalent to the 21 draw in ex 1.4. Why does that change. Also I dont understand where tongue blocking occurs with chording - do you forgo tongue blocking and just use the pucker technique for chording. continue reading...
I am new to harmonica. I am really really enjoying this website after trying out many.I have a question. You mentioned that for a good embrochure tongue should be lowered.Is this to be followed all the time ? I find it difficult to lower the tongue while tongue blocking as I loose grip onto the holes. I watched a video for fundamentals. Can you please give me your suggestion on how to practise this ?