Posted Sun, 05/22/2016 - 10:12 by Intervaltraining
Hi David,
A few questions on improvisation
Reference chorus 2 on Temperature, as an example, how would I turn the first four bars into A A1 A2.
If I were to Use the first two bars then went up an octave for bars 3 and 4 would this be an A or A with fills, and lastley, If I were to use bars one and three then placed different notes in bars 2 and 4 would this still be an A and would this apply to bars 5 to 8
Last question, whats the difference between a fill and a variation.
What is the reason for changing from a G harp in second position to a C harp in third position in "Walter's Mood"? Is it the range of the tune, or the different feel of the third position? I know I can't play the last three choruses with the G harp without sounding weird. But I also wouldn't be able to tell whether the last three choruses were played in third position if someone asked me.
I've been practicing some speed runs/ pattern playing (out of Winslow's Dummies book and your Rock Harmonica book). These patterns are fun to play, but how does a guy implement these speed runs in a solo? continue reading...
I am on LOA4 and want to watch the Ryan Walker lessons but it won't load. If I follow the Contributors link it takes several minutes (literally) to load the page and then crashes or comes up with a blank when I click a video link. There is a heck of a lot on that one page. Maybe it needs splitting up. I have a decent computer and very good broadband and fair size memory so I don't think it is my computer. Thanks.
Hi David, I am a new student in your program but have been playing for a number of years. I have always been confused about the various keys of the blues harmonica. If the notes are all the same on the various diatonic harmonicas what do keys actually do. I realize you habe to be in sync with the group but how are keys different and why do we play blues in G on a C harmonica second position vice first position on a G harmonica? I am very excited to study with you and finally put to bed all the questions that have haunted me since I started playing . Thank you. MikeV
2) Do you want us to record Ex. 1.2 & Ex. 1.6 to the entire 4 minute jam track?
3) Can we use ideas from the other exercies (e.g., shakes, fills) or do you prefer that we stick to rhythmic improvising on the chords as given in the written music for Ex. 1.2 & 1.6?
4) Are flutters and wah-wah on the chords appropriate for these two exercises?
Posted Thu, 05/12/2016 - 17:30 by baruch.friedman...
Dave I know I have to get the harp ninja to learn bending, but Im having difficulty visualizing what I should be doing to bend notes, particularly with the tongue blocking technique. Its seems easier to bend a note with the pucker technique versus the tongue blocking technique. If you are tongue blocking how do you move your tongue to create the bend.