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Lesson 28 - Bending Study 4: My Blues, Head

Posted Thu, 10/02/2014 - 17:34
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Lesson 28 - Bending Study 4: My Blues, Opening

Posted Thu, 10/02/2014 - 17:34
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Lesson 28 - Solo Harmonica Study 3: Ex. 2.4 and 2.5

Posted Thu, 10/02/2014 - 17:34
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Lesson 28 - Improvising Study 4: Section 4, Ex. 52-59

Posted Thu, 10/02/2014 - 17:33
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Lesson 28 - Theory Study 3: David Improvises in Minor

Posted Thu, 10/02/2014 - 17:33
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Lesson 28 - Theory Study 3: Ryan Improvises in Minor, Take 2

Posted Thu, 10/02/2014 - 17:32
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Lesson 28 - Theory Study 3: David Critiques Ryan’s Soloing

Posted Thu, 10/02/2014 - 17:32
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Lesson 28 - Theory Study 3: Ryan Improvises in Minor, Take 1

Posted Thu, 10/02/2014 - 17:31
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David's Tip of the Day: Using a Cup for Bullet Mic Practice

Posted Thu, 10/02/2014 - 08:12 by David Barrett Admin
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Most bullet mics are between 2-1/4" and 2-1/2" in diameter (the round holes in harp cases are 2-1/2"). Many of the cups and glasses in your house are this diameter, including standard 16oz water bottles. If you're new to playing a bullet mic, time spent with it in your hands is needed to gain a comfort level. You can of course play with the mic plugged into your amp, or unplugged (with cable disconnected if it's detachable) or even a household cup to create a mic analog. Either way, you're getting used to having that bullet shape be part of your harmonica hold.

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David's Tip of the Day: Hands for Tonal Change while Chugging

Posted Wed, 10/01/2014 - 08:19 by David Barrett Admin
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Here's a simplistic, but effective way to incorporate your hands while playing. Go to http://www.bluesharmonica.com/lessons/solo_harmonica_study_2 and study Ex. 1.5. While playing single notes, open your hands. When playing chords, close your hands (cupped). Playing this way emphasizes the melody (louder and brighter in tone) and de-emphasizes the chording (softer and more muted/bassy). This accentuates the impression that two harmonica players are playing.

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