harmonica

I've now added what I feel are two important elements to a basic hand transcription... bar lines and chord changes.

By placing a vertical line after the last note of a measure (which in turn is before the first note of the new measure) you're helping to give a basic visual reference of where you are in time. Though you're not providing standard rhythm notation, which would show you exactly where you are in time, this is a good intermediary step when playing by ear. continue reading...

Here's my basic handwritten TAB for the fist line of Little Walter's "Rocker." When a hole number stands by itself it's to be drawn (inhaled). When a hole number is followed by a plus it's to be blown (exhaled). Each slash that follows a hole number represents a half step of bend. If two notes are connected by a arched line, the bend is to be slurred (slides from one note to the next). I use a comma to separate phrases, making breaking down the phrase for study easier. This is also helpful for seeing how the phrasing works for dynamic presentation. continue reading...

This is good timing!... foreshadowing for our Recording Study video interview with Kid Anderson to release in a month's time. Kid will also be the guitarist and recording engineer for our new CD (Gary Smith, Aki Kumar and I). Congrats to Kid on this featured article!

The Art of Sound: A Conversation with Producer Christoffer “Kid” Andersen
http://thehub.musiciansfriend.com/art-of-sound/the-art-of-sound-a-conver...

I hope you enjoyed the challenge of the first part of our transcription process. Here are the answers to Friday's questions...

1) Harmonica Key: A

2) Key you and the band are playing in: E

3) Where he starts in time: The 2" is on the "and" of 4, with the 2 draw on the downbeat of the next bar. So, he's playing a 1/2 beat pickup to Bar 1. continue reading...

It's now time to get to work. Take a listen to the first four bars of Little Walter's "Rocker." I would like you to figure out: the key of harmonica; the key Walter and the band are playing in; where he starts in time; and how you would count this song in.

I'll get you started...

1) He's playing in 2nd Position

2) He starts with a 2" (2 draw whole step bend) that quickly goes to 2 (2 draw)

Here are your challenges in regards to timing... continue reading...

In our newest episode of the BluesHarmonica.com Recording Study series Aki Kumar shares his recording experiences and how he would like to approach our new CD project. Aki and I rehearse our harmony tunes and I provide you with MP3 scratch tracks and PDF music/TAB for you to play along with us.

Fellow student Mike Z (thanks Mike!) is also a guitarist and said that this video is really informative on how to back harp players in the traditional 1950's style. If you play in a band or with a guitarist buddy that's not hip to this way of playing, it would be wise to purchase this DVD for them as a gift.

Little Walter - 50's Guitar Styles, Instructional Guitar DVD continue reading...

Before we leave this subject of figuring out the key...

If you're trying to figure out the key of a song, and there's no harp playing on the recording you're copying/referencing, upon guessing what the key is, make sure to grab the corresponding harp and play a song you're familiar with to the music. This will confirm that you have chosen the correct key and position of harp. continue reading...

Now that you've figured out the key of the song, the next step is to dig in and work out what the harmonica player is doing. BUT, even though you may have figured out the correct key, you might be in the wrong position. As a young harmonica player I would often try to learn a new song and I would figure out two-thirds of it, with the rest being a mystery... continue reading...

If you use Method 2 from Tuesday's tip (see below) then I suggest you start with the C Major Scale starting on the 4+ (4+ 4 5+ 5 6+ 6 7 = C D E F G A B). Though F can be found on 2" and A on 3", your bending has to be dead-on for our purpose of key matching. If you don't think it's one of those notes, then use your Holes 1 through 4 range since it contains all of the chromatic notes that the middle octave is missing. The note Eb is not available in the first two octaves, so you'll need to jump to 8'+ for that one. I personally use this method for finding the key of a song. continue reading...