Hi ! Let me just put my issue in perspective. I've been playing a coupla years, have practiced lots. I play mostly tongue blocked apart from the 8, 9 and 10. Im really getting a handle on important techniques so that I'm beginning to be able to reproduce what I've been listening to. Also getting quite adept at gapping, as I find that quite a few of the marine bands I get need the gap reducing, so I think I'm doing ok in general. continue reading...
I was looking to create the same tuning that Carlos Del junco uses in his B thing instrumentals. I have seen some of the tuning diagrams on overblow.com. However I was wondering what the best way to approach the tuning was, with regards to cents offeset form equal temp, to give a compromised sort of tuning.
Also whats easiest way to attempt to retune, can you tune a standard richter harp to B thing without switching reeds or wound harp with alternate tuning be easier to retune.
I have enjoyed reading posts on different sites regarding your respect for the XB-40. I too share my appreciation and its the main diatonic I play.
I picked up a few extra used ones recently and was able to compare two XB-40's in the same key side by side, and noticed that one of them was less air tight, and the some of the X-Reeds weren't responding as well (and in one case - not responding). continue reading...
I just joined bluesharmonica.com and have entered an original composition "Chrome on the Bayou" in the Chromatic King Original Blues Chromatic Instrumental Songwriting Contest. I am enjoying listening to all the resource interviews. Great site! Recently I discovered your interviews and thought that you may be a resourceful person to ask your advice.
I am living in Nanaimo on Van Island. Good to connect with a fellow Canuk who is from the wet coast :) continue reading...