Can you tell me if there is anything I can do to eliminate the acidic metal taste on my tongue that I get with a brand new Suzuki Promaster Hammond? I just purchased it, tried it once and taste metal on my tongue bending. Sure would like to think I didn't waste my money. Thanks.
Posted Sun, 03/20/2016 - 10:06 by Harp Tech Kinya...
Hi Winslow, over the years, I have bought and played many chromatic harmonicas. In addition, I have toured both the Hohner factory in Trossingen, Germany, and the Suzuki harmonica factory in Hamamatsu, Japan. Witnessing their craftsman build chromatic harmonicas was nothing short of amazing. continue reading...
What are your thoughts around the best harmonica for traditional melody playing? What I mean by this specifically is Irish and Scottish music and other styles you typically hear on pipes or fiddle.
Chromatics come to mind first but i am also seeing Paddy Richter tuning on a diatonic mentioned frequently.
it seems like Paddy Richter would leverage a foundation on the diatonic. do you see pros or cons to either approach?
i was wondering if you could share any thoughts on the Key of F Harp.
i have noticed there are no Key of F studies on this site - other than Low F. I've seen many comments around usually like the "dreaded F Harp". I expect this is because it is so high And must grate on the ear for some. Is it common to just substitute the Low F nowadays? Any pros or cons with that approach? Thanks for any thoughts...
My name is Denis. I'm a professional guitar player, but I'm new here ) I started to play harmonica two weeks ago. I try to learn by myself with this site, but it isn't simple. We play a cover of Bon Jovi song "Wanted Dead Or Alive" and I want to play some solo on harmonica. Could you help me and tell what scale of harmonica I have use in this song and how to play this western sound in the intro of the song?
This is a continuation of the open pathway thread.
I followed your advice, but now another problem had arisen.
It seems that when i try to bend with just my tongue ( my throat open, jaw dropped) I have to much space between my tongue and roof mouth. And the bend just doesn't want to happen. It seems that if I raise my jaw up closer to normal resting position it is much easier to bend with just the tongue. Ofcourse not without a sacrifice in sound/tone. Any advice in this perticular area?
This is a continuation of the open pathway thread.
I followed your advice, but now another problem had arisen.
It seems that when i try to bend with just my tongue ( my throat open, jaw dropped) I have to much space between my tongue and roof mouth. And the bend just doesn't want to happen. It seems that if I raise my jaw up closer to normal resting position it is much easier to bend with just the tongue. Ofcourse not without a sacrifice in sound/tone. Any advice in this perticular area?