I tried to do vibrato for the first time, and it was really challenging. I recorded the attempt and uploaded it to an mp3 file, I wonder if you could have a listen perhaps and tell me if i'm close cause close to the middle the it felt llike something is happening but I want to make sure im in the right direction.
Really like this rhythm pattern in your book. The root octave being played on the and of each beat gives a great John Lee Hooker boogie feel when used with the b7/root split on the first beat of the pattern. As a guitar player I initially had to watch my breathing in this simple pattern mostly because on guitar I'd play the and as an upstroke and for some reason this impacted my harp breathing but a bit of practice quickly cured that. One question. Can you think of any songs where the harp uses this rhythm? Thanks!
I'm a big fan of Joe's after attending his Saturday seminar in San Jose last April and getting thje opportunity to ask him a question. Joe's recommended hold with the 90 degree left index finger bend is a bit different from yours though yours is not as extreme as the hold Joe warns against. Your hold has the relaxed looking left arm that Joe advocates. Wondering if you've discussed this at any time in the past?
When moving quicky from the 4 draw to the 2 draw, it's hard to keep a slight 3 draw from creeping in. I see two ways to deal with this: apnea or taking the harmonica out of your mouth during the move. Do you have a preferred method?
Really enjoying the Joe T. videos as they confirm we all mostly have the same issues and if one of us can do it then most any of us can do it.
As is often the case, I'm just a bit confused by video order. Joe's Pulls video and Solo Study 2 Ex 2.1 and 2.2 are sandwiched between Temperature and basic bending both from LOA 2. As best I can tell pulls aren't introduced until LOA 4 with LOA 2 being restricted to tongue lifts. Should I wait until reaching LOA 4 or is this appropriate for LOA 2? Thanks!
On a video somewhere deep in the site I heard you mention your Kalamazoo Model One originally belonged to your grandmother. Very fortuitous as they're great harp amps. On the video the amp has an original 10 inch CTS speaker just like the one in my amp. My question, and it's purely out of idle curiousity, concerns Jam Tracks & Soloing Concepts 3 where you mention Mitch Kashmar played through your Kalamazoo Model One with a 10 inch Jensen that replaced the original 8 inch speaker. Is this the same amp? How many speaker changes has it had?
I've been messing around on mostly C harmonicas. Just started lessons on this site and learning tongue blocking on the A harmonica. I seem to go through stages where I cannot get any notes correct; either strained or not at all. Can go back to my C harmoncia and play.I've tried dropping the tongue and holding the harp softly to my mouth\, breathing softly (and through the harp) and dropping the jaw and i still struggle.
Even when I pucker on the 5 draw hole it comes out very strained.
Joe's lessons were a great deal of help to me in LOA 1. I'm working on LOA 2 and thought I'd check out Joe working on Solo Harmonica Study 2 Ex 1.1 to 1.6 as that's the recommended study for LOA 2. But Joe's lessons seem to start with Ex 2.1. Are there any videos of Joe working with you on the LOA 2 Solo Harmonica material? Thanks!