Music Theory 3
Hi David,
Chapter 1 to 4: A few corrections, 1 question:
* Ex 3.2 Half Diminished 7th: C should be G (3*)
* Ex 3.7 & 3.9: Question: Should the V be mentioned above bar 12? The exercise is not meant to write a turn-around.
* Section 3 question 2: insert 'chord' into .... for each chord done ....
* Answer Ex 2.6: Fdim should be F#dim
* Answer Ex 3.9 Bar 5: B should be Bb
* Answer Ex 4.3 IV7 chord hole 10: 10+ / 10’’+
* Answer Ex 4.14 V7 chord: add: 10+ C b7th
* Answer Ex 4.18 I7 chord hole 9: F / G
* Answer Ex 4.18 V7 chord hole 10: change order into A / C
* Answer Ex 4.19 IV7 chord, hole 2: 3rd / 5th
Great stuff these MT lessons!!
Kind regards, Mathieu
Hi David,
Except bar 12, wordings 3.7 and 3.9 are the same. Solutions are different.
Kind regards,
Eddy
Thanks Eddy. You going to Trossingen this year?
Yes David, it's booked. And before that I am spending first week of August with Joe in Northampton.
Fantastic
Hi David,
In the video you cover Ex 5.3 explaining the minor v7 (D F A C), whereas the written material uses the Major V7 (D F# A C). (Because of the following exercise 5.4 which also uses the Major V7).
The answer ex 5.3 contains an error: V7 -- F, whereas it should be either v7 --F or V7 --F#.
As 5.3 is used to fill out 5.4 it should be V7 : D F# A C
Regards, Mathieu
Thank you Mathieu.
Fantastic... thank you very much for your work on this. I dropped the V Chord (turnaround) now, that would have confused people. You could put it there though... if the band were to play it you most likely would as well.