manji and crossover compared
today I had the chance to a-b the hohner marineband crossover and the suzuki manji.
They were both in the key of a.
What I found was that the crossover was much more lighter to bend then the suzuki manji.
I also found that the manji was a bit leaky when I bent it.
I gapped them both pretty much the same way.
Is there really a difference between them, or is it just me? (considering my technique)
I last played these models at SPAH in 2009. I don't remember much about the Manji other than it seemed like a solid mid-level instrument. I remember the Crossover better, having played it longer. Basically it played like a well set up Marine Band.
Leakiness could be caused by a poor seal between reedplates and comb. Also, if the base of either reed is set high, this might contribute to a perception of leakiness. Passing the tip of the reed through the slot and gently tugging is one way to lower the base of the reed; applying direct pressure is another. But extreme finesse is required, especially with the second method, and changing the gap at the base of the reed will require re-setting the profile along the entire length of the reed.
maybe I'd have to add that this is when I tb-bend, and not in a pucker bend...
If this experience is unique to these two instruments, then I doubt that TB vs pucker is making the difference.
I have 3 mangis and love them.Like having a custom harp.
I agree about the Seydels. I love Seydel Stainless (especially the 1847). Seydel seem to be almost as responsive as Crossovers. I go with Crossovers though because they're a little cheaper and sound a bit brighter and raspier to me (which I like). Also, the brass reeds are easier to adjust, tinker with, and tune than stainless reeds. I got a few Manjis and wasn't too happy with them. I even prefered my Lee Oskars over the Manji.
Bending the 2 draw to the bottom, my Manji seems to be the airiest (I'm not sure I would say it's leaky). The Crossover sounds less so, but I get a strange flutter sound on the reed (both harps are C). For me, the Seydel 1847 has the most solid tone bent - but then again, I play them almost exclusively now (my unfamiliarity with the Crossover and Manji may be causing some of the sound differentials).
Try the Seydel. Winslow got me hooked on it and I can't see ever going back.