Skip to main content
Blues Harmonica logo

User Account

Username:*
Password:*
Forgot Your Password?

Visitor Menu

  • Sign Up
  • Sample Lesson #1
  • Sample Lesson #2
  • Student Recordings
  • Forums
Forums :: Ask Instructor David Barrett

Blues Chords - Dominant 7th

3 replies [Last post]
Tue, 11/13/2018 - 12:44
gwknopp@gmail.com
gwknopp@gmail.com's picture
Offline
Joined: 01/19/2015

Hi David

Working through Theory 3, Section 3

Im looking at the Domenant 7th Chord and Im confused.  I see where we put the flat 7th in place of the F# in the Major.  I dont understand where you identify this as a Minor 3rd.  Can you explain?

Gary

Top
Tue, 11/13/2018 - 13:33
#1
David Barrett
David Barrett's picture
Offline
ExpertHead InstructorTeacher 10Level 10
Joined: 12/20/2009
Hello Gary. The interval

Hello Gary. The interval between the 5th of the chord and the flat-7ths is a minor third... three half steps.

For definition purposes, a major third is four half steps. A minor third is three half steps. When building a major chord (our I, IV and V chords), from the root of the chord to the 3rd is a major interval... from the 3rd to the 5th is a minor interval. So you can say that a major chord is a stack of three notes, of which from the root to the 3rd is major and from the 3rd to the 5th is minor.

When adding the 7th, the fourth note of the chord, for blues, we want the sound of a minor 3rd (D to F), so G B D F for example instead of G B D F# (F# would be a major 3rd from D, and creates a very different-sounding chord).

Top
Tue, 11/13/2018 - 15:35
#2
gwknopp@gmail.com
gwknopp@gmail.com's picture
Offline
Joined: 01/19/2015
Thanks

Sorry that was obvious I was overthinking it.

Top
Tue, 11/13/2018 - 16:48
#3
David Barrett
David Barrett's picture
Offline
ExpertHead InstructorTeacher 10Level 10
Joined: 12/20/2009
Nope, that was a good

Nope, that was a good question (and a common one)

Top

Sign me up!

Full access to all lessons starts at $20/month! (with annual subscription)

Subscribe

Free Sample Lessons

After watching the BluesHarmonica.com overview video, try one of the lessons below to experience a lesson at BluesHarmonica.com.

  • Tongue Blocking Study 2 – This study is for the newer player or the player new to tongue blocking
  • Bending Study 5 – This is for the advanced player looking to improve their bending skills

Contributors

  • Aki Kumar
  • Joe Tartaglia
  • Gary Smith
  • Mark Hummel
  • Joe Filisko

Site Links

  • About David Barrett
  • Accredited Instructors
  • Links
  • Terms and Conditions
  • Contact Us
Hohner
© 2009 - 2025 David Barrett and the Harmonica Masterclass Co. for Bluesharmonica.com