Blues about the Blues scale
David Hi
I am frustrating myself. I am trying to understand, not just play the various scales. Specifically for example the Blues scale in essential scales. In your examples we have the C Blues scale and the D blues scale. My question is why are they different. If it doesn’t matter what harp you use (ref the C) the blows and draws are the same. I don’t get it. As a rule I do not cross reference lessons on the web but frustration drew me to break that rule. There seem to be a various versions of how the blues scale should be played. So frustration continues and reinforces my thoughts about not cross referencing lessons on the web.
Rather than you giving me the answer on the forum I would appreciate it if you could point me to your lesson that specifically deals with this question. No pain no gain.
Many thanks
Yes I thought I would know the answer when you told me. I will need to redo those lessons to get it locked in. You know the difference between a computer and a person, with a computer you only need to punch the information in once.
Hah. Music theory needs to be heard over... and over... and over...
Thank you for your patience
No problem
Hello John S.
The answers are found in the Improvising series and Music Theory series.
I think it's best I answer this.
We use the C Blues scale for 1st Position playing (C Harmonica in the Key of C).
We use the G Blues scale for 2nd Position playing (C Harmonica in the Key of G).
We use the D Blues scale for 3rd Position playing (C Harmonica in the Key of D).
A more advanced concept is to use these scales over the chords they match. For example, you're playing in the Key of G with a C Harmonica (you're in 2nd Position). The I7 Chord is a G7 Chord... use the G Blues Scale. The IV7 Chord is a C7 Chord... use the C Blues Scale. The V7 Chord is a D7 chord... use the D Blues Scale. Not all the notes work. As you improvise with it, you'll have to use your ears to navigate the funny stuff.
Did I answer your question?