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little walter

8 Bar Blues - Key to the Highway, Part 2 (Little Walter)

Posted Thu, 03/27/2014 - 08:19 by David Barrett Admin
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What you find in "Key to the Highway" are our standard I, IV and V Chords, but in a different order. Here's the chord progressions:

I V IV IV

I V I V

The first line of four bars has the I Chord (one chord) for one bar, then a bar of the V Chord and then two bars of the IV Chord.

The second line has the I Chord for one bar, then the V Chord for one bar and the last two bars are our standard turnaround (the same as found in the last two bars of our 12 Bar Blues Progression).

Now try playing the root notes with your C Harmonica in 2nd Position, Key of G..

2 1 1+ 1+

2 1 2 1 continue reading...

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David's Tip of the Day: 8 Bar Blues - Key to the Highway (Little Walter)

Posted Wed, 03/26/2014 - 08:43 by David Barrett Admin
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You probably already know that 12 Bar Blues is the most common form in blues. What's the second most common?... 8 Bar Blues. Listen to Little Walter's version of "Key to the Highway." Knowing that 2 Draw is the root note of the I Chord (one chord), 1+ is the root note of the IV Chord and 1 Draw is root note of the V Chord, see if you can figure out the chord progression. You'll need your C Harmonica for this (the song is in the key of G).

Hint, the first four bars is a standard V-IV-I-Turnaround, then it goes into an 8 Bar Progression.

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David's Tip of the Day: Dynamics - Analysis

Posted Mon, 01/27/2014 - 12:35 by David Barrett Admin
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Now that you've recorded yourself to a jam track, listen back to your use of dynamics (volume change). Did you stay at the same volume the entire time?... if you did, it's not uncommon, but it's time to fix this.

Varying volume is the strongest tool available to us to convey emotion to the listener. Along for the ride is tone. As we change our volume, our tone and how our rig (mic and amp) responds changes. This is why we use the term "dynamics" and not just volume change... when we change the volume, many other factors are dynamically changed with it. continue reading...

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