Flutter

Now that you have the hook dialed in, experiment with changing the way you present the hook.

I7 = 2 2" 2 doesn't have many options, but 6+ 5 6+ does. Use slaps to present them. Try slaps on the 6+ and flutter on the 5 (this is a very common way to present this lick). Octaves are great (though 2/5 is not an octave, it's an acceptable dissonance). Maybe start the lick with a pull to give it a rhythmic change.

Experiment with the other chords to see what you come up with.

An alternative to the Flutter Tongue is the Side Flutter, where your tongue moves side to side. I commonly see three ways this is approached...

1) The tongue moves side to side on the face of the harmonica. When the tongue is to the right, the low note sounds (D for example on the C Harmonica when performing a 1 draw/4 draw side flutter). When the tongue moves to the left, the high note sounds (4 draw in this case). With a light touch on the face of the harmonica and a relaxed tongue, the tongue moves side to side quickly, jumping between the two octave D's. continue reading...

Start with a slap and continue to make the slapping motion with a fully supported airstream (not individual pumps of air like that of individual slaps).

TIPS:

Most importantly...
1) Keep your tongue to the left. The most common error is to allow the tongue to drift to the center, essentially causing the technique to turn into multiple pulls. continue reading...

A reminder to all students that tremolos and flutters should not be locked to a specific rhythm. It's common to receive submissions where the student is playing all of these at the triplet rhythm (three pieces of the tremolo or flutter per beat). This is mechanical sounding... they should float. A general rule of the thumb is to have them be slightly faster than the triplet. This floating quality is what makes your music sound smooth, and when coupled with dynamics, emotional.

Translation...

When students start working on pulls (found on the upbeat), they forget to slap their other notes (found on the downbeat). This sounds strange... don't do this. The main reason why we tongue block is to use the slap technique, so make it your default... you should have a reason why you're not slapping. Next, when using other techniques, like the pull, don't forget to record yourself and listen back so you can make sure you're not forgetting to use your other techniques, like slaps, dips, flutters, tremolo/vibrato and dynamics. continue reading...

If you listened to "My Blues" (Bending Study 4) very carefully you would have noticed that the tremolo, vibrato and flutter techniques did not lock to the beat in a simple way... like 2, 3 or 4 pieces to the beat. In other words, if a transcription artist didn't know anything about the harmonica, if you were to play your tremolo, vibrato or flutter as a triplet rhythm for example, they may actuality write the pitch that you're doing a tremolo, vibrato or flutter on as individual notes. continue reading...