Posted Wed, 06/25/2014 - 10:45 by David Barrett Admin
Another great value of having a recorder handy is to document your progress when songwriting. After a session of working out ideas for a new instrumental I'll grab my iPhone and use the memo app to do a quick recording of my performance (solo or with a jam track). It's common for many days to go by between writing sessions and it's very easy to forget prior progress. I start a new session listening to my past recording, sometimes even playing along to it. I stop the playback and then get to work. continue reading...
Posted Mon, 06/23/2014 - 07:53 by David Barrett Admin
Join bandleader Frank De Rose as he discusses the important areas of focus in creating a successful blues band. His videos can be found in Section 4 of the "Performance Training Study 5 - Joining or Starting a Blues Band" lesson at BluesHarmonica.com.
Posted Thu, 06/19/2014 - 07:53 by David Barrett Admin
In this Performance Training study I'll help prepare you for the process of joining an existing blues band or starting your own. No harmonicas are needed for this lesson, but download the PDF to reference as we go through the points in this lesson. This lesson is for all skill level players, but is generally focused towards upper-intermediate and advanced players. continue reading...
Posted Wed, 06/18/2014 - 08:38 by David Barrett Admin
A tight cup is used in preparation for a Wa or Tremolo in acoustic playing, or when holding a bullet mic for amplified playing. Whether you use the Pinch, End Cap or Two Thumbs Up approach taught in your lessons, each have the common element of an airtight cup (I'm not saying you have to squeeze your hands tightly, but your cup results in an airtight cup). A great way to test this is to hold your harmonica in your normal way... close your cup (in preparation for a Wa acoustically or for deep bass amplified)... drop your harmonica into your lap... continue reading...
Posted Sat, 06/07/2014 - 06:25 by David Barrett Admin
Mark Ford had a strong impact on the Bay Area blues harmonica scene in the early 1970’s, starting with the release of the Charles Ford Blues Band on Arhoolie in 1972, which is now considered a modern blues classic (Robin Ford on guitar, Patrick Ford on drums and Stan Poplin on the bass). His powerful amplified tone and mastery of the entire range of the harmonica (he’s known for his killer licks above Hole 6 in 2nd Position) has caused him to influence many generations of blues harmonica players around the world. continue reading...
Posted Thu, 05/29/2014 - 10:25 by David Barrett Admin
The 3' sounds great with a vibrato, but for most players the 3" swings too much in pitch and is not a very pleasing sound. When performing the 3" try moving your jaw up and down to produce the vibrato. The more you move your jaw the larger the change in pitch. The speed of the jaw movements depends on how fast you want the vibrato. This is commonly known as the "Chewing Vibrato."
Posted Fri, 05/23/2014 - 21:34 by David Barrett Admin
In this Performance Training lesson I'll help prepare you for success at a Jam Session. Jam sessions can be very challenging, but they provide a valuable opportunity to gain stage experience, meet like-minded musicians and try new material. No harmonicas are needed for this lesson, but download the PDF to reference as we go through the points in this lesson. This lesson is for all skill level players, but is generally focused on intermediate players. continue reading...