Posted Mon, 07/20/2015 - 06:46 by David Barrett Admin
It was a good day when Shure came out with this Discontinued Microphones PDF listing years ago http://www.shure.com/americas/support/user-guides/discontinued-products/.... This made it easy to find which microphones had good elements, but were cheap due to their awkward size or lack of cool art deco styling.
Posted Fri, 07/17/2015 - 07:50 by David Barrett Admin
At a Chicago Harmonica Masterclass Workshop (I believe in 2005) David Waldman shared a cool tip in regards to phrasing like Little Walter. He said, "If you want to emulate Little Walter's phrasing, start your licks on beat 2." He then played with the guitarist and improvised with this in mind, and sure enough, all of us instructors (Joe Filisko, Dennis Gruenling and Scott Dirks) nodded our heads in agreement... it sounded like what Walter would do. I experimented with this concept after the workshop and it's now a tool I use in my improvising from time to time. continue reading...
Posted Tue, 07/14/2015 - 08:39 by David Barrett Admin
A very extensive article on the past challenges of Hohner Marine Band quality control and the birth of harmonica customization featuring our resident harp tech expert Kinya Pollard, The Harpsmith, and other contributors to BluesHarmonica.com... Steve Baker, Joe Filisko, Brendan Power and Richard Sleigh.
Posted Fri, 07/10/2015 - 08:32 by David Barrett Admin
Gary Smith called me yesterday to say that he purchased some 7189 tubes as drop-in replacements for the stock EL84 tubes and he loves the results and recommends it to any Blues Jr owners out there to give it a try. He purchased a matched pair for $66 at TheTubeStore.com http://www.thetubestore.com/Tubes/EL84-6BQ5-Tube-Types/Preferred-Series-...
Posted Thu, 07/09/2015 - 07:53 by David Barrett Admin
Lastly, everything's just easier to play on a custom harmonica. The big one is that bending is easier (draw, blow and overbend) and the middle bends are less airy in tone. When playing a 3" you'll notice that there's an airy quality to the bend... this is normal for all harmonicas, but is greatly diminished with a custom harmonica.
Okay, let's review...
Balanced
Same breath for each reed, making playing across the range of the harmonica effortless
Dynamic Range
The main reason for playing custom harmonicas is so you can play softly, giving you great dynamic range
Posted Wed, 07/08/2015 - 10:59 by David Barrett Admin
Join me, Gary Smith and Aki Kumar live on the air this Friday with Kathleen Lawton at KCSM 91.1 as we play tracks from our new CD and blow a little harp. Show starts at 9pm and we'll be on at 10pm. Click on the "Listen Live" button at top-left http://kcsm.org/jazz91/announcer_lawton.php
Posted Mon, 07/06/2015 - 08:54 by David Barrett Admin
Yesterday I gave you two reasons of why custom harmonicas may not be necessary. Here are the reasons why I personally like custom harmonicas…
Balanced
Though construction and quality control is currently better than it's ever been in the harmonica's history... from the factory, for obvious economic reasons, you’ll never reach the level of attention that a customizer will give your harmonicas. Most simply, a harmonica will play more evenly across the entire range of the instrument. This means that it takes the same amount of air pressure to sound hole 1 as it does hole 10. continue reading...
Posted Fri, 07/03/2015 - 07:42 by David Barrett Admin
I'm often asked about the value of using custom harmonicas. Today I'll state why playing a custom harmonica is not necessary or may not be a good choice for you. On Monday I'll speak of why players (including myself) choose to play them.
1) Most professional players started moving to custom harmonicas in the 1990's due to the low quality of harmonicas being produced during that time. Construction and quality control is currently better than it's ever been in the harmonica's history... you no longer have to play a custom harmonica to be a great player. continue reading...
Posted Wed, 07/01/2015 - 07:25 by David Barrett Admin
The top of your tongue is wider. If you find yourself pushing your tongue on the face of the harmonica to cover enough holes for a tongue block technique, use more of the top of the tongue (tip under the harmonica) and go back to using a light touch on the face of the harmonica.