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What's New: Ryan Walker Lesson #15 (Intermediate Student)

Posted Wed, 02/13/2013 - 14:09 by David Barrett Admin
David Barrett Admin's picture

Join me for Ryan Walker's latest lesson where we work on his chromatic study song "Easy Baby" and his instrumental.

Lesson 15 - Intro
Lesson 15 - Chromatic: Is stealing licks okay?
Lesson 15 - Chromatic: Easy Baby CH1 Critique & Cupping
Lesson 15 - Chromatic: Easy Baby CH2 Critique & Tone
Lesson 15 - Chromatic: Easy Baby CH3 Critique & Fake Octaves
Lesson 15 - Chromatic: Easy Baby, CH4-5
Lesson 15 - Chromatic: Easy Baby, CH6
Lesson 15 - Chromatic: D Blues Scale
Lesson 15 - Improvising: Breaks Review, Part 1
Lesson 15 - Improvising: Breaks Review, Part 2 continue reading...

  • intermediate blues harp harmonica lessons instruction student study

David's Tip of the Day: Repetition (phrasing) - Discussed, Part 2

Posted Wed, 02/13/2013 - 08:38 by David Barrett Admin
David Barrett Admin's picture

There are two elements in blues songwriting... the HOOK and HEAD... both of which have one element at their core... a cool lick.

A cool lick that goes to the bottom (the rhythm section) is turned into a HOOK by repeating and sequencing (transposing to match chord change) throughout the twelve-bar progression, and continuing throughout the entire song. So, in this case, the lick BECOMES the groove. "I'm Ready" and "Tramp" are great examples of this and "I Ain't Superstitious" is a good example of a modified version of this.

Tomorrow we'll dig into the Head.

  • phrasing soloing improvising song writing harp blues harmonica

Repetition (phrasing) - Discussed, Part 1

Posted Mon, 02/11/2013 - 09:04 by David Barrett Admin
David Barrett Admin's picture

"The listener wants more repetition than the player is usually willing to give" is one of my favorite statements to make in response to a student's query, "what did you think" after the commonly too active solo. I don't care how much technique you have, if you don't use repetition at the core of your song writing and improvising, by not repeating anything you're telling the listener there's nothing worth remembering. As Joe Filisko stated at a Harmonica Masterclass Workshop on this same discussion point, "If you're not playing something memorable, then you're playing something forgettable." continue reading...

  • soloing improvising solo blow harp blues harmonica song writing

What's New: Gary Smith Submission #36 - Accompaniment Lessons: Can't Get Through to You

Posted Sat, 02/09/2013 - 18:12 by David Barrett Admin
David Barrett Admin's picture

Join Gary Smith and I for our continued focus on accompaniment... in this case Slow Blues with vocals.

Videos Include
Submission #36 - Accompaniment Lessons: Can't Get Through to You, Part 1
Submission #36 - Accompaniment Lessons: Can't Get Through to You, Part 2
Submission #36 - Accompaniment Lessons: Can't Get Through to You, Part 3

  • slow blues

David's Tip of the Day: Space (phrasing)

Posted Fri, 02/08/2013 - 09:04 by David Barrett Admin
David Barrett Admin's picture

The listener wants more repetition than the player is usually willing to give.

  • phrasing

David's Tip of the Day: Repetition (phrasing)

Posted Thu, 02/07/2013 - 10:28 by David Barrett Admin
David Barrett Admin's picture

The listener wants more repetition than the player is usually willing to give.

  • phrasing

David's Tip of the Day: Subwoofer for Computer Speakers

Posted Wed, 02/06/2013 - 09:06 by David Barrett Admin
David Barrett Admin's picture

If you commonly listen to music on your desktop computer speakers or through your laptop’s built-in speakers, you’re missing out on the lower frequencies. This is not much of an issue unless you’re having difficulty hearing the chord changes. The bass player outlines the chords, so if you can’t hear it well, you’ll have challenges staying within the form. continue reading...

  • speakers system for music practice room

David's Tip of the Day: Reference Harmonica for Variable Splits

Posted Tue, 02/05/2013 - 09:22 by David Barrett Admin
David Barrett Admin's picture

It can be difficult to know if what you’re playing is correct when experimenting with variable splits. The most common variable split is the split-4, where you place your lips over four holes and block the two in the middle for what’s commonly an octave. But… the 2/5 (playing the 2 draw and 5 draw at the same time, with the tongue blocking holes 3 and 4) is not an octave and can be hard to hear if you’re playing it correctly due to its dissonant nature. How about when you’re playing an octave on the high draws, such s the 3/7 (split-5). continue reading...

  • tongue blocking bending technique licks classic slow blues

David's Tip of the Day: KFFA's "King Biscuit Time" Silent Fooge from 1942

Posted Mon, 02/04/2013 - 09:30 by David Barrett Admin
David Barrett Admin's picture

Silent footage. Max Moore, owner of Interstate Grocery in Helena, Arkansas, was the sponsor for radio station KFFA's "King Biscuit Time" program. We believe he shot this home movie circa 1942. In it, renowned blues musicians Robert 'Junior' Lockwood and Sonny Boy Williamson perform on the front porch of a small-town Arkansas grocery store. This is likely the earliest footage of these musicians performing together. The second portion of the clip is a 1952 tour featuring Williamson and his band.

http://www.youtube.com/watch?v=w6v-hz3ER0c

  • sonny boy williamson blues harmonica harp

David's Tip of the Day: Make your own Tongue Block Trainer

Posted Fri, 02/01/2013 - 09:07 by David Barrett Admin
David Barrett Admin's picture

Like to save a $. Joe Filisko shares in the Spring 1998 Harmonica Happenings how to make your own Tongue Block Trainer using a 2 gallon milk container.

Tongue Blocking by Joe Filisko - Harmonica Happenings (Spring 1998, pg 12)
http://www.filiskostore.com/files/1900363/uploaded/Tongue%20Block%20Trai...

  • Light touch with the tongue on the face of the harmonica tongue blocking
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