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When the vocals begin, hold the last note you you were playing softly until the vocal phrase is over and then continue playing (this assumes you were playing a chord tone, otherwise you would of had to change quickly to a chord tone). If you were playing a riff (repetitive lick), keep playing that riff softly through the vocal phrase. Holding a note equals inactivity and continuing an already-established phrase (riff) is inactivity. Change is activity and will distract from what's happening with the vocals.

The default way to present a note is with a slap (http://www.bluesharmonica.com/lessons/tongue_blocking_2)

If the 3 draw B (or 3 draw quarter tone bend as discusses yesterday) is an emphasized note in your first lick of the 12 Bar Blues progression, and you wish to continue the chorus with that lick as a theme (think Chorus Forms as taught in the Improvising Studies), then when the lick is repeated over the IV7 Chord you should bend the 3 draw down to 3' Bb and 3" A over the V Chord.

Here's the basic theory...

I7 = G B D F (referencing C Harmonica in 2nd Position, Key of G) and 3 B is the 3rd of the chord. continue reading...

The 4 draw is the most over-used note on the harmonica in 2nd Position soloing for good reason... it can be presented in many ways (single, double, shake, slap, flutter, octave, etc.) and is a great launching pad to move up or down the harmonica. Today's law is that it's rare to play the 4 draw by itself, it's commonly presented with a touch of 5 draw in it to thicken its texture (what Joe Filisko calls "Dirty Notes"). The challenge is just to add a touch... too much and it becomes overly dissonant.