Skip to main content
Blues Harmonica logo

User Account

Username:*
Password:*
Forgot Your Password?

Visitor Menu

  • Sign Up
  • Sample Lesson #1
  • Sample Lesson #2
  • Student Recordings
  • Forums
Forums :: General Discussion

Air, Air, and More Air

3 replies [Last post]
Mon, 01/11/2010 - 18:38
jjudson
jjudson's picture
Offline
Joined: 12/23/2009

I'm going through the Solo Harmonica 1 Study and I'm having some trouble with what seems like very leaky notes on two and three BLOW on my G harp. Playing with the harmonica, the two and three blow notes sound airy whether I tongue block or pucker. It seems much worse than any of my other harps. Is it a leaky harp, or I do I just suck?

I'm using Special 20s.

Top
Tue, 01/12/2010 - 02:48
#1
Ryan
Ryan's picture
Offline
Joined: 01/04/2010
Your blow reeds are probably

Your blow reeds are probably gapped a bit too wide. Gapping them a bit closer to the plate will definately help reduce or even get rid of that airy sound. The lower the harp you play the more your going to get that airy sound, it seems most noticable on blow notes I think. This is mostly a "problem" with the really low harps, if a G harp is sounding really airy it's most likely just that the gapping is too high. It's hard to avoid this sound on the really low harps though (like a low Bb for example) this is because the reeds are longer and there is a lot more space for air to escape along the length of the reeds. I prefer to play the really low harps amplified as opposed to acoustic, the amplification helps cover up the airy noise and makes them sound great, but some people do actually like the airy sound of the low reeds. Some people also like to half valve thier really low harps because this will also help get rid of a lot of the airy sound on the blow reeds.
So my recommendation is to open your harp and carefully push the blow reeds on holes 2 and 3 closer to the plate, you might have to play around with it a bit to get it just how you want it. Joe Spiers has a series of youtube videos teaching how to properly gap the reeds. In my opinion this is the most important "customising" skill one can learn, it will do more to improve your harp than any other modification, and it's not terribly difficult to start learning. Here are the links to the videos:

Video #1: http://www.youtube.com/watch?v=Rh79GaDVmC8
Video #2: http://www.youtube.com/watch?v=2Qkx7a5mAKA&feature=related
Video #3: http://www.youtube.com/watch?v=d7Upodp_mU8&feature=related

Hope this helps.

Top
Tue, 01/12/2010 - 12:49
#2
jjudson
jjudson's picture
Offline
Joined: 12/23/2009
Thanks!

Ryan, great help! I'll take a look at your videos and learn.

The thing that got me going was in the lesson video, Dave is using a G harp that sounds perfect on the 2 and 3 blows - with no airy sounds whatsoever. I thought it might be either he's really good (he is), he's using a custom harp (he is), my harps suck (maybe), or I suck (definitely).

Top
Tue, 01/12/2010 - 13:14
#3
David Barrett
David Barrett's picture
Offline
ExpertHead InstructorTeacher 10Level 10
Joined: 12/20/2009
Answer

Ryan's comment is a good one... in general that's a good skill to have... to adjust your harp. Most issues like this are caused by the tongue location in the mouth (in most cases humped up... it takes time and reps for this to get better). One way to find out quickly is to purchase another G harp of the same model and see if it's the same... then you'll know if it's your embouchure or not.

Top

Sign me up!

Full access to all lessons starts at $20/month! (with annual subscription)

Subscribe

Free Sample Lessons

After watching the BluesHarmonica.com overview video, try one of the lessons below to experience a lesson at BluesHarmonica.com.

  • Tongue Blocking Study 2 – This study is for the newer player or the player new to tongue blocking
  • Bending Study 5 – This is for the advanced player looking to improve their bending skills

Contributors

  • Aki Kumar
  • Joe Tartaglia
  • Gary Smith
  • Mark Hummel
  • Joe Filisko

Site Links

  • About David Barrett
  • Accredited Instructors
  • Links
  • Terms and Conditions
  • Contact Us
Hohner
© 2009 - 2025 David Barrett and the Harmonica Masterclass Co. for Bluesharmonica.com