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Forums :: Ask Instructor David Barrett

1 draw on the chromatic

1 reply [Last post]
Wed, 10/20/2021 - 15:32
ÉricD
ÉricD's picture
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Joined: 04/16/2021

I seem to have tamed the difficult draws on diatonic harmonicas (2 on G and A, 1 on C and D). It was hard to get a good tone for the 1 draw on the chromatic, but I got it.

Now, there remains an annoying small delay for 1 draw to respond.

At first I thought it was related to the tone problem, and that opening the throat / lowering the tongue better was the key to both better tone and timing. Then I had doubts, since draws are ok now on the diatonics I own.

As a test, I have tried to draw with the nose open (which used to "solve" wrongly the tone problem)... and it also "solves" the delay problem... so this is indeed related.

What bothers me is that I feel I am progressing everywhere else (bending included)... but for months I seem to make no progress on the chromatic 1 draw. I still cannot play No Sweat up to the end, because this small delay makes tongue-switching too tiring (and No Sweat has a lot of tongue-switching).

Maybe I should tackle that differently, and come back to the chromatic later. Maybe if I try to solve another related problem, I'll have new ideas to try.

So this is my question: since my throat/tongue position is still flawed but the usual 1 and 2 draws come clear enough, how to let the problem appear on a diatonic?

Are there specific exercises that will fail because of this flaw?

Or maybe, are some low-key harmonicas more challenging for some draws?

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Wed, 10/20/2021 - 15:53
#1
David Barrett
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Joined: 12/20/2009
Hello ÉricD. You're exactly

Hello ÉricD. You're exactly correct in regards to tongue position... it's the same issue as you had on the diatonic. The key is to experiment with your tongue position until you get it. You can also open your nose when playing the 1 for right now so that you can play the music and continue to grow. With time/practice you'll get the 1 draw, just like you did with the diatonic.

In regards to exercises... no, just experiment with tongue position. It would be smart to experiment in front of a mirror (with the harp out of your mouth) to ensure that your tongue is doing what you think it is.

Yes, lower keys can be more challenging... you'll get it with time though (one of the many challenges of our little instrument).

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