1966 Fender Blackface Super Reverb
Hi Skip, first of all thanks for your advice on the Vibrolux, I think I will just run it as it is. I actually haven't really had any complaints. I play in a five piece and as long as the amp is mic'd I haven't had any problems on the bandstand, the band is loud but I never have problems getting thru the mix or experiencing feedback. Another very experienced harpster once told me that he found the amp "a little thin" I have an opportunity to purchase a '66 Blackface Super Reverb at a good price (about 1200 CAD) This amp has been fully serviice by a very respected amp tech here in eastern Canada. Would the Super be a good choice or do you think that I should put my money toward a proven Boutique amp? Thanks, Brian
Thanks very much.
Thanks Skip, one more question regarding the FBFSR. I normally play relatively small venues, bars and the like. Do you think I could still use the FBFSR in this type of a venue?? I had thought perhaps I could turn up the volume of the amp to maybe 5 or 6 and turn down the volume on my mic. I assume that this type of tactic will achieve my goal of fattening up the tone. Thanks again.
Brian- You can certainly use your Super Reverb in a small room, but it will be more difficult to control feedback. Yes, you can turn down the mike, but it may not help with your goal of "fattening" your tone. Technique, including cupping and embouchure (did I spell that right?) is still the key to fat tone. You guys all know that I don't play harp, but I've been listening to good players for a long time.....
Skip Simmons
Hello Brian- Sorry for the slow reply.
First let me say that it will be a long time before any boutique amp will be as "proven" as a blackface Super Reverb! They have been the go-to amp for pros (perhaps even more than the 4X10 Bassman) for many years. Feel free to experiment with lower-gain preamp tubes, but Rick Estrin's was always bone-stock! The 4-10s and bigger output transformer of the Super will certainly give you more low-end than the Vibrolux.