Posted Tue, 11/22/2011 - 08:40 by David Barrett Admin
Many years ago I was "helping" at the end of a show to clean up... unplugging cables, rolling them up and such. An apprentice sound man came up to me and said, "ah man, not that way, my boss'll make me redo all of these cables when I get to the shop," and preceded to show me a way to roll cables so that they didn't get tangled. I've used it ever since... it works great!
Posted Fri, 11/18/2011 - 09:42 by David Barrett Admin
Here are the items I suggest you have in your practice room to be successful. For more information, visit my videos on this subject in the new Blues Harmonica Fundamentals lesson on the site.
Posted Tue, 11/15/2011 - 08:00 by David Barrett Admin
I just received an email from a former student asking questions about the Hohner 364... the 12-hole Low-C Harmonica (the 365 is a 14-hole). Though it no doubt looks really cool in pictures (it's big!), the untreated wood comb and larger body size is not comfortable. Now that the Hohner Thunderbird is out, you can get a Low-C in a standard body size. My first custom harmonica was from Richard Sleigh many years ago, and it was for a Low C Marine Band... again, so I could have a standard body size Low-C. continue reading...
Posted Mon, 11/14/2011 - 08:44 by David Barrett Admin
Today's tip comes from the HarpSmith (aka, Kinya Pollard). Thanks Kinya!
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Hello Everyone. For those of you having a challenging time identifying the correct key signature and tempo to a song that you would like to solo over ... check this out!
A DJ friend of my recently turned me on to a terrific piece of software called, "Mixed in Key." It will analyze any song located on your computer, then identify both the key signature and tempo. continue reading...
Posted Sun, 11/13/2011 - 08:01 by David Barrett Admin
“There is nothing more fatal for our musical sense than to allow ourselves—by the hour—to hear musical sounds without really listening to them.” Tobias Matthay, Pg 16, The Musician’s Way: A Guide to Practice, Performance, and Wellness By Gerald Klickstein
Posted Sat, 11/12/2011 - 11:16 by David Barrett Admin
“Your creative capacity is determined by your musical and technical abilities, along with your available practice time. Your capacity will increase as your strength and skills grow. However, for you to make progress with basics such as on-stage confidence and ease of execution, your repertoire choices must be within your capacity. Musicians who pick unobtainable pieces foster destructive habits, such as anxiety and tension, and they miss out on learning how to present secure, poetic performances.” Pg 14, The Musician’s Way: A Guide to Practice, Performance, and Wellness By Gerald Klickstein
Posted Thu, 11/10/2011 - 08:00 by David Barrett Admin
“As a general rule, rest 10 minutes of each hour that you spend in the practice room. Rest more if you’re working vigorously or adopting new techniques. A sensible practice-to-rest ratio, widely recommended by teachers and medical authorities, is to practice no more than 25-30 minutes before pausing for a 5-minute respite. Many musicians opt for more frequent breathers and rest 2-3 minutes every 15 minutes or so.” Pg 12, The Musician’s Way: A Guide to Practice, Performance, and Wellness By Gerald Klickstein