Posted Tue, 02/14/2017 - 15:55 by curciopaul@gmail.com
Dave
I notice your playing is nice and crisp and staccato. Do you tongue block all the time? You taught me to tongue block and I love it. My biggest complaint with my playing is that it is soft around the edges. Like lazier than Lazy Lester. And this despite focus on ga ga in the throat. I lip block on select moments, to Ta Ta. But I really don't like it. I get lost easily.
I really don't want to develop a hybrid style. Any advice?
Are there specific lessons on 2nd position playing in bluesharmonica.com? In Level Achievement 1 the study song (Walk With Me) is referenced as being in 2nd position. In your lesson of 'Playing With a band' you reference 2nd position and 'cross harp'. However, I don't recall that being mentioned in other Level 1 tutorials.
So David, I know that you periodically provide advice on how to minimize problems associated with clogged reeds due to saliva issues. My question as a beginner (and I suspect other beginners are curious too) is as a professional, how often do you have to deal with this issue when you are performing or recording?
Posted Thu, 02/09/2017 - 14:34 by gwknopp@gmail.com
Im working to memorize the basic chords and was playing along with the jam track of Walk with me. The D of the I chord sounds fine which is a D on the C harp. But when I try the G (root of the I chord in second pos), it sound horrible. Im expecting that G, B, or D will fit into the I chord. Am I off track here?
Also in filling out that grid for Hole/Pitch by chord, Im getting confused. Is the F# then relative to the 5 hole a 5 overbend?
Posted Mon, 02/06/2017 - 11:16 by Intervaltraining
Hi David,
When applying the procession of notes, if hole 3 is the focus note but you are also holes 1 and 2, do you always have to start on hole 3, or is it that you can start on hole 1, 2 or 3 so long as hole 3 is in the lick somewhere.
Posted Thu, 02/02/2017 - 20:02 by baruch.friedman...
Dave - Im in Improvising study 1 placing lick into chorus form context/Section 5/ AB/AC chorus form. In example 5.1 you have that keyedn as a 4 chord. Certainly there is a G note starting the example, and a G note reappears right where you have the IV chord sign. I understand that the G note is part of the 4 (IV) chord but there is no C or E note, so why wouldnt you call this a 1 chord as well because the 1 cord also has a G note. I guess Im getting a bit lost here.