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If you're not interested in participating in something someone else is doing, then create something yourself. Do you like history? Are you mechanically inclined? Do you like working with databases? Do you like design?

Most likely you didn't have anything to list when I asked you what you were doing for the harmonica community yesterday. Let's look at three paths of thinking though... supporting, helping and creating... you're surely doing one of these?

Supporting continue reading...

It's true that the harmonica is a blind person's instrumental, though we do have our hands. Your lips, jaw and cheek touch your hands while playing the harmonica, giving you a tactile reference. Experiment by playing across the range of your harmonica and noting where your face is in relation to your hands; you may find this helpful when working on new passages that require large leaps. As you practice those challenging passages, over time your muscle memory will take over and you won't need that tactile reference, but it can be helpful at first.

Here's a quote on accompaniment playing from Steve Czarnecki, keyboard instructor at School of the Blues.

"We’re not always the center of attention in music or in life, and there are times when it pays to play the background role graciously—learning to be a member of the musical boiler room propelling the great ship of song. You can become a very popular musician by being a good accompanist."