Posted Wed, 02/04/2015 - 17:36 by David Barrett Admin
Join me for the latest release of the Professional Recording Series at BluesHarmonica.com for a 90m interview with master blues guitarist and recording engineer Kid Anderson. Videos include: How Kid Got Started; Plugins and Preamps; The Amp and Room; Miking Techniques; Amps and Amp Modeling; Setup and Prep; Error Correction; Mixing; Mastering; Using High-Level Musicians; Our CD Project
Posted Wed, 01/21/2015 - 12:32 by David Barrett Admin
In our newest episode of the BluesHarmonica.com Recording Study series Gary Smith shares his recording experiences and how he would like to approach our new CD project. Gary and I rehearse our harmony tunes and I provide you with MP3 scratch tracks and PDF music/TAB for you to play along with us.
Posted Tue, 01/20/2015 - 09:41 by David Barrett Admin
This is good timing!... foreshadowing for our Recording Study video interview with Kid Anderson to release in a month's time. Kid will also be the guitarist and recording engineer for our new CD (Gary Smith, Aki Kumar and I). Congrats to Kid on this featured article!
Posted Fri, 07/18/2014 - 07:31 by David Barrett Admin
If you're new to recording and don't own a microphone to place in front of your amplifier, you can use the Line Out on your amp. This sends a line-level signal (not powered, like the speaker out... don't use that) via cable to your computer. if your computer has a 1/4" microphone input, you can use a cable that runs from 1/4" (out of amp) to 1/8" (into computer). Though the tone of what you're sending doesn't include the sound you like from the power section of your amp, your speaker, or cabinet... it's better than nothing. Yesterday's tip was to use two amps for recording. continue reading...
Posted Thu, 07/17/2014 - 07:18 by David Barrett Admin
The next time you find yourself in the studio, bring two amps to play through. Using a splitter or A/B box does the job to send the signal of your bullet mic into both amps. You can also plug in the Input 1 of one amp, and then with an instrument cable run out the Input 2 or Line Out of that amp into the input of the other. The studio engineer will mic each amp separately and will place a third mic in the room to pickup the ambient (room sound) of your rig, especially if it's a live (reflective) room. continue reading...